Based on the notions of Gilles Deleuze, the researcher studied the expression of hidden aspects of objects through painting. By tracing the development of art from the prehistoric era to the postmodern era, using a method based on color orientation and how it affects se
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Based on the notions of Gilles Deleuze, the researcher studied the expression of hidden aspects of objects through painting. By tracing the development of art from the prehistoric era to the postmodern era, using a method based on color orientation and how it affects sensation, going beyond figuration, which includes intersections and pauses, beyond studies focused on form and content, color and color sensation of the paintings can be investigated as an essence of the interaction of the forces affecting the concepts concealed on the canvas. The investigation of surface-level conflicts of colors on canvas was set aside in favor of examining the painting process as a result of concealed thoughts and the true expression of colors, allowing for the achievement of the ideas hidden in the colors. To collect data for this qualitative research, a desk study was carried out. The purpose was to identify the qualities of modern painting that are based on color orientation and how it impacts perception, as well as to identify the mechanisms affecting color relationships on the painting canvas. In order to explore a perspective on painting, the researcher developed a framework by highlighting the key notions in Gilles Deleuze’s theories. Making the invisible visible was finally accomplished through the study of colors, the absolute significance of a visual reality that has nothing left to convey, and by accepting the shift from the cliches of visual and action paintings.
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