Literary aesthetics are one of the most important topics in the field of literary criticism, especially rhetoric science, to which Russian formalists have also paid attention. The term " aesthetic" refers to a set of rhetorical techniques known in Arabic as "the art of
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Literary aesthetics are one of the most important topics in the field of literary criticism, especially rhetoric science, to which Russian formalists have also paid attention. The term " aesthetic" refers to a set of rhetorical techniques known in Arabic as "the art of literature" and is used in formalism studies instead of the Russian "priem" and the English "device". The present research is written with the approach of Russian formalists stating that Russian formalists believe that art is primarily a matter of style and technique; in addition to being a way, technique is also a subject of art; so it does not matter "what" the author says, but rather it matters "how" he says. Also, what Russian formalists consider to be studied and reviewed in literature and art is only the field of aesthetics and has nothing to do with other topics. The present study aimed to examine the usefulness of the aesthetics in the three Surahs of Al-Rahman, Hadid, and Hashar, then, by using a descriptive-analytical method, to explain the role of these original aesthetics in surprising the audience, relying on the category of Russian formalists. The most important result of the study indicated that most of the aesthetics used in the three mentioned Surahs are useful, which due to their characteristics, are surprisingly prominent in the four areas of Russian formalism: literature, form, magic of proximity, and embedded structures, and as a result, attract and amaze the listener and the reader.
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