Though the cognitions of Imam Hossein entered into Persian poetry from third and fourth centuries and almost synchronous with Persian language birth, the name of Hazrat Zeinab has been used very limited and in very few cases in Persian poetry. In Safavi Dynasty, her nam
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Though the cognitions of Imam Hossein entered into Persian poetry from third and fourth centuries and almost synchronous with Persian language birth, the name of Hazrat Zeinab has been used very limited and in very few cases in Persian poetry. In Safavi Dynasty, her name has been entered into Persian Poetry a bit more serious. However, still the poets do not refer to her properly. In Ghajar dynasty, referring to the Karbala Lady’s character becomes prevail in Persian poetry and reaches its climax in the late part of Ghajar and the beginning part of Pahlavi time. Unfortunately, despite the willing of the poets in eulogizing and parsing Hazrat Zeinab, the picture of this great lady is only described as a grief-stricken, flagged, depressed, and crying. Even this honored lady is described as a weak, and disabled woman, hence her glory, respect, and magnificence are affected drastically. From the late part of Pahlavi dynasty which the contexts of Islamic revolution is formed, the poets’ view starts to change gradually and finally with Iranian Islamic Revolution the spirit of revolution penetrates into Zeinab poetries and the poets’ view is attracted to the glorious aspects of this heaven and earth lady. Therefore, some great works which deserve the position and personality of this lady have been created. This dissertation has investigated the spiritual picture of Hazrat Zeinab in Persian Poetry.
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